The Concrete Garden

Deft, understated loveliness.

In the context of the post-pandemic period, it seems natural that the children at ground level and the adults watching from above are equally riveted by the kids’ activities and creativity in this beguiling picture book.

After a "cold, hard winter" in a building whose watercolor-and-ink facade nearly fills the page, a few adults wearing surgical face masks and a group of maskless children "spilled out like candies from a box" onto a concrete plaza. The last of the children, Amanda, carries a large box of chalk. She draws a circle with appendages that resembles a coronavirus virion, and another child quickly turns the shape into a dandelion, setting off a cascade of creativity among the kids, portrayed with various skin tones. Each one adds an interpretation of much-missed nature, and the image of a visiting alien spaceship appears for good measure. When Rosie draws a "Queen of Swirls," the collaboration coalesces into a true Gesamtkunstwerk: "A beautiful and exotic garden spread across the concrete. And the Queen of Swirls ruled." Peering from above, another figure, Nasrin, snaps a photo for her mother in Iran ("A concrete garden--isn't it something?"), and it travels around the world, offering cheer and hope to many. Alternating wide shots of the decorated plaza with tighter vignettes of the artists thoughtfully evaluating their canvas, executing their ideas, and reflecting on the results, Graham (Jigsaw) celebrates the book's young cast as serious creators joined in sharing art's healing power. Ages 3-7. (Nov.)

Copyright 2023 Publishers Weekly, LLC Used with permission.

The art of kids being kids comes alive. . . . Graham's signature watercolor-and-ink illustrations bring it all to life beautifully. The subtlety of the storytelling makes a statement about art in a time of disease better than words ever could. . . . Deft, understated loveliness.
—Kirkus Reviews (starred review)

Alternating wide shots of the decorated plaza with tighter vignettes of the artists thoughtfully evaluating their canvas, executing their ideas, and reflecting on the results, Graham (Jigsaw) celebrates the book's young cast as serious creators joined in sharing art's healing power.
—Publishers Weekly

Graham tells and shows a story of children making a world with art. . . Graham does a heart-lifting job of portraying the kind of creativity that flourishes without planning, goals, or adult input when children engage in parallel play. . . In this joyous offering Graham (most recently Jigsaw, rev. 9/22) cements his role as the master of the optimistic picture book.
—The Horn Book

The story is simply told, but Graham's sensitive ink drawings with watercolor washes give each scene a playful, endearing look. In the context of the postpandemic period, it seems natural that the children at ground level and the adults watching from above are equally riveted by the kids' activities and creativity in this beguiling picture book.
—Booklist

The book carries a deeper message, written as a reflection on the separation and reunion of loved ones throughout the recent pandemic.
—We Are Teachers