Spineless

A Jules Verne aesthetic and themes of contemporary environmentalism underpin this sensationalist sea-monster melodrama set in 1890s Florida. When 12-year-old Chicagoan Algie Emsworth, an asthmatic aspiring naturalist, arrives at the Hotel Paraíso, his mother expects him to spend the winter "bathing quietly in the mineral springs." The resort is anything but tranquil, though: sea-life carcasses line the beach, a toxic red tide exacerbates Algie's condition, and a curse stalks the hotel. When Algie rescues a bioluminescent octopus from the clutches of whiskered explorer Prof. Ransom Champion, the creature takes a shine to Algie. So do tween field biologists-in-training Frankie and Lulu Davenport, daughters of the millionaire resort owner, and the trio sets out to foil the fiendish Professor, who kills birds for the plume trade and seeks a "mystery beast." For all the mocking of celebrity ambition and the connections made between greed and environmental destruction, colonialism remains strangely unexamined herein. But slapstick-brimming chapters, literary references, and scenery-chewing Victorian characters populate the third-person telling as debut author San Miguel reinforces interspecies care, crafting an eco-friendly steampunk thriller. Frankie and Lulu are Cuban American; all other characters read as white or racially ambiguous. Ages 8-12. Agent: Hannah Fergesen, KT Literary. (June)

Gr 4-7--Twelve-year-old Algie Emsworth, who is white, relishes his stay at the Hotel Paraiso, a health resort in Florida in the late 19th century. Assuming his asthma will shorten his life, Algie resents his brother Everett and his mother's coddling and hopes to gain juvenile renown with a paper published by The Chicago Academy of Natural History. Soon after arrival, Algie rescues an anthropomorphic octopus and meets the millionaire owner Aloysius Davenport's two daughters, Frankie and Lulu, described as half Cuban with blonde and curly brunette hair, respectively. Sharing a mutual interest in field biology, the three join forces to uncover the mystery of dying sea life, and to figure out what the unscrupulous Professor Champion, Madam Maximus (head of the Aerial Acrobats), and her performer Angel O'Dare are planning. The octopus is a great sidekick, picking locks by tentacle. Algie has a winsome urgency that makes him likable. Staring his mortality down, Algie faces a limited window to make his mark on the world. His relationships with his family and new friends are realistic and evolve as Algie, Frankie, and Lulu face dangerous adults. In the life-threatening denouement, Algie displays a nuanced empathy for others. There may be a few too many elements thrown in the mix, but the story bears them moderately well. VERDICT While a Calpurnia Tate--style historical fiction has a particular audience, this boasts a rich setting, an ecological mystery, and enough character development to recommend it.--Caitlin Augusta