The Cheshire Cheese Cat: A Dickens of a Tale

"He was the best of toms. He was the worst of toms." So opens Deedy (14 Cows for America) and Wright's (The Silver Penny) spry hybrid of historical fiction and animal story, set at Ye Olde Cheshire Cheese, a real-life pub "famed as a haunt for London writers." The line refers to Skilley, the mouser at the tavern, where Charles Dickens is struggling to find a lead-in to his new novel. Snippets from Dickens's journal reveal his suspicions that something's askew between Skilley and the pub's substantial mice population. He's right: Skilley, who prefers eating cheese to mice, has agreed not to harm them if they bring him cheese from the storeroom. Pip, an intellectually minded mouse, teaches himself to write using his tail, a skill that comes in handy at multiple points during the novel. Moser's graphite illustrations are realistic and wonderfully emotive, especially in combination with the novel's fresh dialogue, typographical flights of fancy, and wordplay. Expertly realized characters and effervescent storytelling make this story of unlikely friendship, royal ravens, and "the finest cheese in London" a delight. Ages 8-12. (Oct.)

Gr 5-8--The vagaries of tavern life in 19th-century London come alive in this delightful tale. Skilley, a street cat with a secret (he eats cheese!), finds a home at Ye Olde Cheshire Cheese, where he pretends to be a mouser and gets the attention of Charles Dickens, a frequent customer. Befriended by Pip, a precocious mouse who can read and write, Skilley tries to protect his rodent pals and Maldwyn, an injured royal raven hiding in the garret, from Pinch, a ginger alley cat who's out for every tasty morsel he can get. There are cat-and-mouse battles aplenty. Several subplots are happily resolved: the cook reveals that the mice are her official cheese-tasters; Queen Victoria herself comes to rescue Maldwyn; Mr. Dickens finally finds an opening sentence for his new novel, and more. The fast-moving plot is a masterwork of intricate detail that will keep readers enthralled, and the characters are well-rounded and believable. Language is a highlight of the novel; words both elegant and colorful fill the pages: "alacrity," "scrivener," "thieving moggy." And then there are the Dickensian references: "artful dodging of Hansom cabs," Dickens saying he has "great expectations." His amusing diary entries, revealing both his writing difficulties and his thoughts about Skilley, and the occasionally fanciful page layouts add to the humor. Combined with Moser's precise pencil sketches of personality-filled characters, the book is a success in every way. It should be a first purchase for libraries interested in bringing young readers to the marvels of Dickens via the back-or, should I say tavern-door.--Nancy Menaldi-Scanlan, The Naples Players, FL