A Sky Without Lines

Gr 1-4-Arturo dreams of reuniting with his brother Antonio who lives with their father on one side of a line, while he and his mother live on the other. Arturo loves looking at maps and likes looking at the lines that show where the different countries meet. But his mother tells him that the lines are there to stop people from moving freely. Arturo misses the older brother who taught him to ride a bike and kick a soccer ball and wonders how they can be together again. Could he perhaps squeeze through a gap in the line; build a tunnel and go under it; or build a bridge and go over the line? Borràs's stylized watercolors in warm hues of ochre, brown, and red capture the desert environment where the brothers' adobe house sits. The southern border of the United States is depicted with an impenetrable fence keeping the brothers apart. While a host of coyotelike creatures appear in most illustrations, there are also geese overhead, perhaps foreshadowing Arturo's dream of flying high up into space where he will reunite with Antonio. VERDICT As children experience more and more forced migration and forbidding borders in their worlds, this book serves a useful look at the human side of geopolitics and an effective discussion opener. -Lucia Acosta, Children's Literature Specialist, Princeton, NJ

"Two brothers live separated by a line on a map. Arturo fantasizes about overcoming the obstacles the line represents. Perhaps he can dig under it, swim through it, or build a bridge over it—anything to be with his older brother, Antonio, again, just like the cranes freely crossing the skies. He dreams of meeting his brother on the moon, where they can play fútbol with their faces gleaming from 'the sticky sweetness of warm churros.' Basil's story of borders implies a happy ending for a truncated family stuck in two different countries. But Barcelona-based artist Borràs' (Marwan's Journey, 2018) earth-toned watercolor landscapes feature the political reality of the United States-Mexico fence—the 'line' running through the lives of Arturo and his family. The stylized images resemble marionettes with pupil-less, masklike faces; expressions are limited or nonexistent. Many of the double-page spreads are populated with fox-ish, ring-tailed creatures. Since neither foxes nor coyotes have ringed tails, it's difficult to decipher what they are. If coyotes, they may serve to call attention to the ubiquitous human traffickers known by the same name. The cranes' unfettered flight from one country to the next evokes Arturo's wish that where two lands meet there be no lines; after all, 'he'd looked hard, and he'd seen no lines in the sky, none at all.' A provocative take on a world without borders." — Kirkus Reviews