Leo: A Ghost Story

And in Jane, they create a brilliant heroine whose powers lie within her wit, her open mind, and her freedom of play. Dazzling.

Despite the blue tones and Leo’s initial loneliness, this is a tender, touching story of friendship and the power of imagination. And it is sure to warm hearts.

As a ghost, Leo may be invisible and intangible, but he can still feel bruised. When a family moves into the empty home he occupies, they aren't exactly pleased to see the floating tray of tea and toast he has prepared for them. "This house is haunted!" cries the father as the family cowers in the bathtub. "I hate tea!" says his son. "And I hate ghosts!" In one of several funny-sad moments, Robinson (Last Stop on Market Street) shows Leo floating above the family, hands clasped to his mouth in shock at their reaction. Leaving the house, Leo explores the unfamiliar city and befriends a girl named Jane, who mistakes him for an imaginary friend. Robinson's blue-black palette reflects the somewhat somber mood; along with the somewhat retro look of the art, Leo's formal attire suggests he's been a ghost for some time. Barnett (The Skunk) concludes on a high note, though, as Leo foils a robbery with help from a classic ghost accessory--the white bed sheet. It's a warm and wise story about acceptance trumping difference--including that between life and death. Ages 3-5. Agent: Steven Malk, Writers House. (Aug.)

Copyright 2015 Publishers Weekly, LLC Used with permission.

When Leo, a ghost, finds the new inhabitants of his house unwelcoming, he takes to the streets. Luckily, he encounters the fantastically fun Jane, who believes he is an imaginary friend. When Leo helps catch a thief breaking into her house, he is forced to admit that he is not an imaginary friend but a real one. Fortunately, the unflappable Jane graciously takes this all in stride. Barnett's story is expectedly droll and told in deadpan prose. There's just enough of it to provide a canvas for Robinson's thoughtful illustrations. His palette is almost exclusively blue, but the contrast between the different tones is sharp, and the heavy doses of gray with hints of green soften much of the blue into a neutral tone. Robinson solves the issue of a white ghost on a white page smartly by depicting Leo as a blue outline on white paper. Leo beautifully contrasts with the geometrically composed live humans, and Robinson finds some clever opportunities for depicting Leo's transparency. The balance of texture and white space helps mitigate the many shades of blue, retaining visual interest and keeping the overall feel upbeat. VERDICT A whimsical tale from Barnett aptly accompanied by enthralling artwork by Robinson. What's not to drool over?—Erin Reilly-Sanders, Ohio State University, Columbus

Copyright 2015 School Library Journal, LLC Used with permission.