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This contemplative, semiautobiographical picture book by Nobel Laureate Mo Yan, with illustrations by Hans Christian Anderson Award nominee Zhu Chengliang, is perfect for readers of A Different Pond and Watercress.
One morning, so early that fog still sleeps on the surface of the river, a young boy accompanies his yeye seven miles north to the grassy field behind their home to cut satintail to feed the livestock. But when a massive gale scatters the hay--and a whole day's work--important lessons will need to be learned about endurance, impermanence, and how to let go and weather the storm in a world that can often feel overwhelming and uncontrollable.
In sparse, lyrical prose interpreted by critically acclaimed author-illustrator Ying-Hwa Hu, The Gale is the first-ever picture book by the Nobel Prize-winning author of celebrated classics like Red Sorghum and Life and Death Are Wearing Me Out. It is adapted from the novella of the same name.
At seven years old, a child goes for the first time to collect satintail grass with their grandfather, Yeye, in this picture book debut from Nobel laureate Mo Yan, adapted from a short story of the same name. A low mist hangs over the quiet journey as the pair make the long trek to a familiar meadow, which "Yeye cuts down every summer." Muted tones show sunrise, while a "nonsense" tune that Yeye sings, "happy, yet sad," sets the journey's mood. An innocent day of cutting grass, chasing grasshoppers, and napping under an awning takes a turn when heavy clouds loom: "Black clouds mean wind," Yeye says knowingly. The stoic figure keeps his cool as a tornado touches down in the distance ("Just wind," he says). But tears form in his eyes after the gale scatters their crop and sends his grandchild briefly skyward, a moment shown in a breathtaking sideways spread that renders the grass in a whirling figure eight. Resigned, the youth and Yeye turn back. In sparse, pensive prose, the narrator muses on themes of endurance and acceptance in uncontrollable circumstances. Movement-filled acrylic on cardboard illustrations from Zhu (What I Like Most), meanwhile, steadily convey the Chinese-cued characters' experiences in the changing landscape. Ages 4-8. (Aug.)
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