Olivia the Spy (Olivia)

Once die-hard fans spy this, they’ll make a grab for it. 

Olivia is back after a five-year absence, and at first glance she seems as fierce as ever ("Mommy, I know how to use the blender," she says, before wreaking blueberry smoothie havoc on the kitchen). But Olivia soon senses that in her mother's eyes, a kind of behavioral Rubicon has been crossed; desperate to learn more about her fate, she resorts to domestic espionage. Falconer's elegant charcoal and gouache drawings are a sight for sore eyes, and he comes up with wonderful camouflages for his heroine, including one involving a Rothko-like painting. Olivia overhears the word "institution," deduces that it refers to prison, and—for a few important pages— thinks that she has been beat. Seeing Olivia cowed, submissive, and sadly packing her suitcase for what she believes is a trip to the Big House may surprise her diehard fans, but it's soon revealed that the institution in question is the ballet, where she, of course, steals the show. Falconer leaves no doubt that Olivia emerges from her dark moment of the soul ready to tackle whatever seizes her attention next. Ages 4-8. Agent: Conrad Rippy, Levine Plotkin & Menin. (Apr.)

PreS-Gr 2—Olivia, the long-eared, precocious pig in striped pajamas, decides to become a spy in order to hear her mother's many complaints about her behavior. Unfortunately, she misunderstands a half-overheard conversation and lets her imagination get the best of her, convincing herself that her parents intend to send her to prison. With a trembling lip, Olivia prepares for the worst, only to find herself at the ballet (a different sort of -institution,- it seems). Falconer's trademark style is in full form. After more than 10 books, this spunky, spirited pig and her antics strike a familiar note with children and adults alike. The pages are deliberately spare, with explosive pops of teal, orange, red, and pink. The details are full of whimsy, especially Olivia's brilliant and amusing camouflage strategies. Falconer returns to his unique artistic technique, adding superimposed photos of classic architecture and artwork. VERDICT Young and old fans of Olivia, as well as those new to her antics, will adore this cautionary tale about eavesdropping. Perfect for one-on-one and small group sharing.—Clara Hendricks, Cambridge Public Library, MA

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