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The only book in English for readers of all ages by Nobel Prize-winning novelist Olga Tokarczuk is a beautifully illustrated meditation on the fullness of life.
The Lost Soul is a deeply moving reflection on our capacity to live in peace with ourselves, to remain patient, attentive to the world. It is a story that beautifully weaves together the voice of the Nobel Prize-winning Polish novelist Olga Tokarczuk and the finely detailed pen-and-ink drawings of illustrator Joanna Concejo, who together create a parallel narrative universe full of secrets, evocative of another time. Here a man has forgotten what makes his heart feel full. He moves to a house away from all that is familiar to him to wait for his soul to return.
The Lost Soul is a sublime album, a rare delicacy that will delight readers young and old.
"Olga Tokarczuk's The Lost Soul, an experimental fable illustrated by Joanna Concejo and translated by Antonia Lloyd-Jones, resonates with our current moment. . . . What a striking, and lovely, material object it is." --New York Times
"The Lost Soul, by Olga Tokarczuk and illustrator Joanna Concejo, is a quiet meditation on happiness, following a busy man who loses his soul. . . It pours a childlike sense of wonder into a once-upon-a-time tale that is already resonating with adults around the world." -- Guardian
Nobel Prize-winning Polish novelist Tokarczuk (Flights) teams up with artist Concejo for an elegant, meditative parable about isolation and redemption. The minimal text opens with "Once upon a time" and describes John, a workaholic businessman in existential crisis who feels "as if the world around him were flat, as if he were moving across a smooth page in a math exercise book, entirely covered in evenly spaced squares." As he loses all sense of identity, a wise doctor diagnoses his spiritual malaise: "The world is full of people running about in a hurry... and their lost souls always left behind." John decides to cease his frantic lifestyle in the hope that he and his soul can reunite. Tokarczuk's poetic sensibility matches perfectly with Concejo's hushed, evocative drawings, which comment abstractedly on the story, depicting humans in Hopper-esque isolation from each other and the natural world, until they eventually interact and integrate. As they do, the monochromatic pencils gradually incorporate rich hues of green and orange, representing life again in balance. This sincere collaboration invites readers to reflect upon existential themes on their own terms. It's a soothing balm for tense, jagged times. (Feb.)
Copyright 2020 Publishers Weekly, LLC Used with permission.