Hour of the Bees

Eager seamlessly blends a 12-year-old girl's summer of change with a hefty dose of magical realism in this accomplished debut. A past family rift means that Carol first meets her grandfather Serge when her family arrives from Albuquerque to sell his sheep ranch before settling him in a nursing home. Serge's question to Carol, who uses an Anglicized version of her name, Carolina-- "Why do you spit on your roots, chiquita?"--makes her ponder her heritage. Unexpectedly drawn to her grandfather, Carol finds that her woes (an obnoxious older sister, absent friends, endless chores, stressed-out parents) pale next to the questions and fears raised in Serge's entrancing stories, which all begin, "Once upon a time, there was a tree." Fairytale motifs ("No rain for a hundred years") emphasize the stark physicality of the New Mexican mesa, with its oppressive heat, spindly sheep, and numerous dangers. Through this atmospheric setting, Eager sustains a sense of wonder and longing for small things (bees, seeds, stories) to respond to big human needs. Ages 10-14. Agent: Sarah Davies, Greenhouse Literary. (Mar.)

Gr 4-6—Eagar's debut novel follows 12-year-old Carol (not Carolina, she insists) as she and her family relocate for the summer to her grandfather's ranch in New Mexico, where Serge, the ailing patriarch, has been slowly progressing into dementia. As the family cleans, mends, and preps the property for sale, Carol gets to know her grandfather and family history for the first time, all while suffering through the identity crises that tend to accompany adolescence. Eagar makes expressive use of the hot, dusty, isolated setting, while Carol's struggles with her changing self-perception yield a few moments that anyone who's had to navigate middle school will find relatable ("the clothes fit fine. I just don't fit the clothes."). Readers who enjoy Pam Munoz Ryan's novels or Jennifer Cervantes's Tortilla Sun (Chronicle, 2010) will find Carol's angst compelling and her wide-eyed brushes with the likes of magical bees and life-giving trees amusing, but Eagar's depictions of magic in the everyday often feel as dry as the New Mexico desert. A recurring storytelling motif adds technical interest, but the characters' relationships never quite reach the level of intimacy needed to justify it. VERDICT A sentimental but undistinguished coming-of-age story with touches of magical realism.—Abigail Garnett, Brooklyn Public Library