The Mighty Miss Malone

Even ardent fans of Curtis's Newbery winner, Bud, Not Buddy, may not remember Deza Malone, who shares dishwashing duties with Bud Caldwell during his brief stay at a Hooverville in Flint, Mich. Responding to readers' pleas that he write a book with a female main character, Curtis traces the path that led Deza's family to homelessness. It's 1936 in Gary, Ind., and the Great Depression has put 12-year-old Deza's father out of work. After a near-death experience trying to catch fish for dinner, Roscoe Malone leaves for Flint, hoping he'll find work. But Deza's mother loses her job shortly after, putting all the Malones out on the street. As in his previous books, Curtis threads important bits of African-American history throughout the narrative, using the Joe Louis-Max Schmeling fight to expose the racism prevalent even among people like the librarian who tells Deza that Louis is "such a credit to your race." Though the resolution of the family's crisis is perhaps far-fetched, some readers will feel they are due a bit of happiness; others will be struck by how little has changed in 75 years for the nation's have-nots. Ages 10-14. (Jan.)

Gr 4-7--In 1936 Gary, IN, 12-year-old Deza Malone is an outstanding student and beloved daughter in an African American family challenged by economic hardship. Her mother's job as a domestic allows them to just get by, but leaves them unable to address Deza's rotting teeth and older brother Jimmie's stunted growth. When her father seeks work in Michigan and fails to keep in touch with them, Mother packs them up to go and find him. Their journey takes them to a Hooverville camp where Jimmie's beautiful singing voice is discovered by an itinerant musician who convinces him to strike out on his own. Mother and Deza try to make a life for themselves in Flint but are discouraged by poverty and discrimination and their inability to find Father. When Deza hears that Jimmie is making it big in Detroit, she sets out to find him, starting a chain of events that lead to a hopeful yet heartbreaking conclusion. The strength of this companion to Bud, Not Buddy (Delacorte, 1999) is its vivid characterization and clear sense of place and time. Deza is an appealing, indomitable heroine whose narrative voice reflects both wit and pathos. Period details are skillfully woven into the story with the Joe Louis vs. Max Schmeling fight playing an important role in underscoring the sense of defeat for African Americans as they struggle with the Depression. Careful readers may be mystified by the discrepancies between Buddy's account of meeting Deza and Deza's, and they might wish for a more comforting resolution, but Curtis does not sugarcoat reality and focuses instead on the resilience of a memorable character. An absorbing read.--Marie Orlando, formerly at Suffolk Cooperative Library System, Bellport, NY