Sugar Hill: Harlem's Historic Neighborhood

Christie's handsome paintings of Harlem's Sugar Hill neighborhood bring warmth to Weatherford's catalogue of the African-American artists who lived there in the 1920s and '30s. Weatherford's bouncy verse establishes a backbeat ("Sugar Hill, Sugar Hill where life is sweet,/ And the 'A' train stops for the black elite") as Christie (who collaborated with the author on Dear Mr. Rosenwald) paints small figures dwarfed by the iron girders of the elevated train line and old-fashioned, flat-roofed apartment buildings. Through uncurtained windows, readers see grandmothers and grandchildren in quiet sitting rooms and revelers dancing late into the night ("Where grand townhomes lend river views,/ and parties swing to jazz and blues"). Some of Sugar Hill's illustrious residents may be new to readers ("Where Robeson puts down roots a while/ and Sonny Rollins hangs with Miles"); an author's note and "who's who" section provide more information. Tranquil scenes of sidewalk life--Lena Horne out strolling in a big hat, small groups gathered in front of store windows--commemorate a neighborhood whose residents were prosperous and secure. This portrait of a community of color that cherished its artists will inspire readers. Ages 5-8. (Feb.)

Gr 2-4—This lyrical tribute to the New York City historic district so central to the Harlem Renaissance pays homage to such notable African Americans as Faith Ringgold, W. E. B. DuBois, Thurgood Marshall, Paul Robeson, and Miles Davis. "Sugar Hill, Sugar Hill where life is sweet/And the "A" train stops for the black elite....Where Duke and Count plunk out new tunes/and Zora spins stories by the moon....Where grown-ups lift the young ones high/and give them wings to touch the sky." Weatherford's words celebrate the people and the neighborhood where black culture blossomed in the '20s and '30s. Friendly, well-dressed neighbors dance and swing or discuss new ideas while children play stickball, visit the library, and are lifted up by their elders. Christie's signature paintings-bold and simple-capture the excitement and energy of the place and time. An author's note and "who's who" provide background information on the neighborhood and its accomplished inhabitants. Pair this perfect read-aloud introduction to the Harlem Renaissance with Bryan Collier's Uptown (Holt, 2000) to inspire students to write and illustrate their own neighborhood poems.—Barbara Auerbach, New York City Public Schools