The Widow's Broom

This story combines trickery and magic with witches, brooms, an old widow, and her jealous neighbors. A witch leaves her errant broom in Minna Shaw's garden and, true to its nature, it sweeps and sweeps and sweeps until the woman in desperation, teaches it to chop wood, fetch water, bring the cow from the pasture, feed the chickens, and even to play the piano. All runs smoothly until the Spiveys who live down the road discover this wonderful object and insist it must be evil. After an encounter with the Spivey children in which the broom punishes them for their misbehavior, the enraged father comes to seize the offender and destroy it. But the widow outsmarts the man, and she and her broom live happily ever after. The sepia toned pencil illustrations have a grainy quality that gives the sense of moody mystery while adding texture and detail to the tangibles of village life. The positioning of figures, the sweep of lines, and the angles and tones used to capture characters and events have a haunting sense reminiscent of Van Allsburg's early work. He does not overemphasize the message that the special powers of the unknown need not be evil; rather a delicious humor is subtly portrayed through both text and art. This story leaves readers and listeners with the satisfaction of a well-told tale and, although not strictly for Halloween, may turn out to be as much a part of that holiday as Polar Express (Houghton, 1985) is of Christmas.

Copyright 1992 School Library Journal, LLC Used with permission.

When Minna Shaw comes into possession of a witch's broom, it is as if good fortune itself has dropped from the sky. The broom sweeps on its own and does other chores; it can even pick out simple tunes on the piano. The widow's ignorant neighbors hate and torment the implement, though, fearing what they cannot understand; but in the end the widow and her broom triumph. This resonant tale, one of its gifted author/illustrator's most impressive efforts, effectively draws on mystery and whimsy alike--both human nature and the supernatural are powerful forces here. Van Allsburg's grainy, sepiatone illustrations variously evoke brooding, suspicion, grandeur, humor and serenity. Many individual pictures are haunting--amid a tangle of squash vines, for example, lies the fallen witch, with only one of her hands visible--and in composite they reverberate powerfully indeed. The narrative's subtle conclusion will evoke pleasurable shudders, as readers (gradually, perhaps) become aware of what has transpired. Both visually and narratively, a provocative and altogether satisfying work. 

Copyright 1992 Publisher’s Weekly, LLC Used with permission.

One of Van Allaburg's best: an intriguing, well-told tale with elegantly structured art, resonant with significance and lightened with sly humor.

Van Allsburg explores the nature of good and evil in this unearthly tale of a witch's broom that has fallen from the sky with its witch still on it . . . Enchanting.